In the story of Hamlet by William Shakespeare, Claudius, the King of Denmark, emerges as a powerful and convincing speaker, using pathos as his primary rhetorical technique to manipulate the characters around him. His ability to sway others with his words makes him a uniquely dangerous and enigmatic character within the play.
Manipulation of Laertes
Claudius successfully manipulates Laertes by appealing to his desire for revenge for his father's death. By questioning Laertes' love for his father and tapping into his insecurities, Claudius convinces Laertes to seek vengeance on Hamlet, ultimately furthering Claudius' own plans at Laertes' expense.
Manipulation of Hamlet's Mourning
Claudius also manipulates Hamlet's mourning for his father by gaslighting him into doubting the true value and necessity of his grief. By convincing Hamlet that his mourning is unmanly and absurd, Claudius aims to weaken Hamlet's resistance and conviction, clearing the way for his own end goals.
This heavy use of pathos in Claudius' manipulation tactics is rooted in his character as a power-hungry and ambitious individual, constantly playing on the emotions of others to secure his position as King.
Use of Emotional Appeals
Through emotional appeals, Claudius succeeds in enlisting others to fulfill his own deadly plans, portraying himself as both the cackling villain and the strong power on the throne. His ability to sway others through pathos serves as a testament to his confidence in his manipulation tactics.
Impact of Claudius' Manipulation
Claudius' proficiency in emotional manipulation ultimately allows him to maintain his power and achieve his desired outcomes, showcasing the depth of his villainy and the danger he poses to those around him.
In conclusion, the literary devices and rhetorical techniques employed by Claudius, particularly his use of pathos, establish him as a master manipulator in the play. His ability to influence the actions of those around him through emotional appeals further solidifies his role as the primary antagonist in Hamlet.
