Page 1: Context and Opening Stanzas
Jane Weir, born in 1963, is a writer and textile designer with roots in Manchester, Italy, and Belfast. Her poem "Poppies" was commissioned by Carol Ann Duffy for a collection of 21st-century war poetry, providing a contemporary perspective on conflict and its effects on families.
The poem opens three days before Armistice Sunday, setting a tone of remembrance and loss. The speaker, a mother, describes pinning a poppy to her son's lapel, a gesture laden with symbolism.
Highlight: The repetition of poppy imagery emphasizes the parallel between national and personal mourning and remembrance.
The mother's actions are described with domestic and tactile details, creating a sense of intimacy and care:
"I rounded up as many white cat hairs
as I could, smoothed down your shirt's
upturned collar, steeled the softening
of my face."
Vocabulary: Armistice - An agreement to stop fighting in a war.
The poem uses enjambment and caesurae to reflect the mother's emotional state and her struggle to maintain composure. This technique is evident in lines like:
"I wanted to graze my nose
across the tip of your nose, play at
being Eskimos like we did when
you were little. I resisted the impulse"
Example: The use of "blackthorns" to describe the son's gelled hair alludes to Jesus' crown of thorns, suggesting sacrifice and potential suffering.
As the son departs, the world is described as "overflowing like a treasure chest," contrasting the mother's sorrow with her son's excitement for adventure. This juxtaposition highlights the complex emotions surrounding a loved one's departure for war.
Quote: "A split second and you were away, intoxicated."
The imagery shifts to symbolize the son's departure, with the mother releasing a songbird from its cage and observing a dove flying from a pear tree. These actions represent both freedom and loss, mirroring the mother's conflicting emotions.